"Le Pain" - 2021
Santorini Film Festival
Best Drama Short Award - 2022
Euregion Film Festival
ROMA short film festival
"Le Pain" - The Making Of
Shooting a feature film - with five students
A former (21 year old) student of Ruurd, asked him if he wanted to shoot his first feature.
Ruurd shot the film, used his own camera (Canon 5D Mark II), lighting, grip, audio equipment and did the colour grading, and used the
HP DreamColor Z27 monitor.
The film won the Tiliander, Den Boogaard Cultuurprijs 2014 Award.
After completing the feature film, Ruurd stated;
"It was one of the most wonderful and fun projects I have ever worked on!"
"Schaduwspel" - 2014
Feature Showreel - Montage
Stills from "Schaduwspel"
The feature film was shot on a Canon 5D Mark II camera, using Zeiss Planar ZF lenses (lenses sponsored by Camalot, Amsterdam) and shot in the Technicolor CineStyle Profile.
In post we used the NeatVideo plug-in to reduce the noise in the image. For color grading I used FCP-X.
Lighting equipment: 5x1kw plus lots of Negative Fill in order to create a natural look.
A special stocking was used for one scene below. This particular stocking was also used by cinematographers in commercials in the 60's and 70's.
The students had to make a test - putting a special stocking in front of the lens and try to simulate the lighting that was used in the 1930's.
Music by Rudy Vallee, "A Kiss to Remember" and titles in the shape of the swirling swimmers of "Footlight Parade", 1933.
-- Below the students lighting and stocking test --
The students received an assignment - creating a pack-shot. They could pick any of five products and light it accordingly
-- Below a students product shot --
Film Books Recommendation
"Painting With Light"
by John Alton, ASC
"It's Not What you Light...It's What You Don't Light."
-- John Alton, ASC --
Edited by Paul Cronin
Foreword by Martin Scorsese
"Remember, Movies Show and Tell."
-- Alexander Mackendrick --
A few quotes from this wonderful book:
"If the scene is uninteresting in cinematic terms, then layer upon layer of dialogue will only make it more so.
One of the tasks of the director as (s)he transfers a screenplay to the medium of the moving-image-with-sound is almost to forget what his characters are saying and re-imagine their behaviour as being mute, so that all thoughts, feelings and impulses are conveyed to the audience through - sound and vision - without speech.
"Hitchcock is suggesting that a good film should be ninety percent understandable even if dubbed into a language no one sitting in the auditorium understands.
Because a well-written, acted and directed film should be able to convey its emotional meaning through the inventive use of film grammar, not words.
And it is of course, the emotional and dramatic content of any scene that really counts".